Le Cirque – Dessin à l’encre signé.

Drawing,Ink,1930250 x 160 mm

Traditional Japanese circus scene.

6 300 




A traditional Japanese circus scene featuring a fil-de-fériste feline dressed in a teapot and brandishing a fan. He is accompanied by three musicians in traditional dress. Mounted on a wooden stage, they overlook an audience of men, women and children.

This drawing was probably intended to illustrate a book; there are several retouches in white gouache and printer's marks (numbers and measurements) in the margins and on the reverse.

Foujita executed this type of drawing in the 1930s, notably for Kikou YAMATA's work The eight renowned names which he illustrated with 47 drawings in 1927.

The drawing is accompanied by a certificate of authenticity issued by Mme Sylvie Buisson and will be included in the artist's catalogue raisonné.



No date [1930].250 x 160 mm,

Ink, white gouache. Lightly glossed white paper.


Leonard Foujita

Tsugouharu Foujita, Tsuguharu Fujita, 藤田 嗣治

(Tokyo - Japan :27 November 1886 ; Zurich - Switzerland :29 January 1968)

Painter, draftsman and engraver, illustrator, ceramist, photographer, filmmaker and stylist.

The son of a medical general in the Japanese army during the time of Emperor Mutsuhito, he grew up learning French while studying Western painting at the Tokyo School of Fine Arts. After graduating in 1910, he left for Paris in 1913, embarking on a long sea crossing to Marseilles before reaching the capital and, in particular, the artists' quarter in Montparnasse.

Close to Pablo Picasso, Amedeo Modigliani, Henri Matisse or Fernand Léger, Foujita launched himself into painting with success during the Great War. In 1917, his first exhibition of one hundred and ten watercolours in a half-Japanese, half-gothic genre was a triumph. In 1924, he painted Youki, goddess of snow, for the Salon d'Automne. In 1930, he painted four paintings: Le Salon in Montparnasse, The Lion tamer, Three women and The Triumph of Life over Death.

After several years of a journey that took him notably to Latin America, he returned to Japan in 1933. Caught in the turmoil of war, he supported the militaristic action of his country, both through his paintings such as Senso-ga (or The Battle of the Khalka River) and his personal commitment. But, from 1945, he will know how to get closer to the United States in order to pursue his career in the West. We thus find him in New York and then in Paris in the early 1950s. Having obtained French nationality in 1955, converted to Christianity in 1959 before becoming a mystic by settling in the Chevreuse valley in Villiers-Le-Bâcle, Léonard Foujita still produced some remarkable works, such as the Notre-Dame-de-la-Paix chapel in Reims, which bears his name and where his remains now rest.

Complete References : www.fondation-foujita.org

See The Works