Deux aquarelles signées sur fonds lithographiques pour les Bucoliques

Watercolor,Lithography,1955Sheets: 470 x 360 mm, Watercolours approx. 490 x 200 mm

TWO LARGE SIGNED WATERCOLOURS ON LITHOGRAPHIC BACKGROUNDS TO ILLUSTRATE VIRGIL'S BUCOLIQUES

2 000 

1 in stock

Description

TWO LARGE SIGNED WATERCOLOURS ON LITHOGRAPHIC BACKGROUNDS TO ILLUSTRATE VIRGIL'S BUCOLIQUES.

Rare preparatory work for the monumental edition of the Bucolic of Virgil translated by Paul Valery during the years 1942-1944 for the "Scripta et Picta" Society and established by Doctor A. Roudinesco in 1955.

These watercolours, in the format of an unfolded double page, correspond to one of the very first stages of the illustration work. After imposing a black lithographic background (note the markings on the stones, which would later disappear), Villon painted the plates in full colour in order to explore the future colours he would use on the lithographic stones. These original colours are different from the final lithographic result chosen for the book.

The book makes it clear that "The images were drawn on stone in colour by Jacques Villon, who engraved each colour on a different stone in his own hand. Three hundred and twenty stones were used. The lithographs were printed by Célestin on the Mourlot Frères presses.."

The final plates correspond to numbers E 571 and E 577 of the Catalogue Raisonné, Jacques Villon: Prints and IllustrationsGinestet & Poullon.

1955. Sheets,Sheets: 470 x 360 mm, watercolours approx. 490 x 200 mm,

The ends of the marks have been exposed without damaging the images.

Bio

Jacques Villon

Gaston Émile Duchamp

(Damville - Eure: 31 July 1875; Puteaux - Hauts-de-Seine: 9 June 1963)

Born Gaston Émile Duchamp, second son of Eugène and Lucie Duchamp, the future Jacques Villon is the elder brother of the sculptor Raymond Duchamp-Villon (1876-1918), the painter, sculptor and author Marcel Duchamp (1887-1968) and the painter Suzanne Duchamp (1889-1963).

In 1904-1905, he studied at the Académie Julian. In 1911, he organized a discussion group at home with his brothers Raymond and Marcel, which met regularly with artists and critics such as Francis Picabia, Robert Delaunay, Fernand Léger and others who would soon be known as the "Académie Julian". group of Puteaux.

In 1913, Villon, seven large dry points, cubist masterpieces, where the shapes break into obscured pyramidal planes. He exhibited at the Armory Show in New York and his fame grew so much that by the 1930s he was better known in the United States than in Europe.

The Louis Carré Gallery organized an exhibition of his work in Paris in 1944. In 1950, he received the Carnegie Prize and in 1954 he was named Commander of the Legion of Honour. The following year, he received the commission for the stained glass windows of the cathedral in Metz, France. In 1956, he was awarded the Grand Prize at the Venice Biennale.

 

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